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Best Moments of Injustice 2’s Main Story

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In case you couldn’t immediately tell from reading the title, I am going to thoroughly spoil some of the most explosive and interesting moments from the Injustice 2 story mode- whether it be battles or epic cutscenes. That having been said, if you continue reading past this point and don’t want the story ruined for you, you’re probably in for a world of hurt. And now without further ado, let’s get this show on the road.

1. Krypton Destroyed, Kara Zor-El Revealed: It’s fair enough to state that Injustice 2 starts with as much or more of a bang than its predecessor because within (literally) the first five minutes Brainiac and his minions utterly destroy Krypton. Now this retelling that some of us may be used to while others may not- Krypton was failing of its own accord in some comics and movies, establishes both Clark and Kara’s set paths and provides a prologue of sorts for things to come in the future. Both Kara and Clark play a large role in the story of Injustice 2 and this calamitous event sparked the flame that ignites that story.

2. Superman Recruits Damian Wayne (aka Robin): While we’re still relatively in the past and tying together the plot of the first Injustice game, Batman and Robin head to Arkham Asylum to stop a grief-stricken Superman from murdering all of the incarcerated criminals. Along the way they fight the likes of Cyborg and Wonder Woman along with other foes. When they finally arrive to battle the head honcho himself, Batman easily gains the upper hand over the enraged Kryptonian and has just convinced him to leave when Damian Wayne comes back into focus. Robin has a knife to Victor Zsasz’s throat and true to his League of Assassins upbringing he slits the serial killer’s throat, fights (and loses to) his father, and then is scooped up by Superman as they fly into the moonlight.

3. Harley Fights Scarecrow and…The Joker: For those of you wondering how any incarnation of the clown prince of crime may be in Injustice (beyond popular demand alone) after the events of Injustice 1 led to his death and his alternate universe self’s exile back to his home, I’ve got you covered. During a multi-stage fight and cutscene which sees Green Arrow, Black Canary, and Harley Quinn fighting the likes of Poison Ivy, Scarecrow, and Swamp Thing, Dr. Crane doses them all with fear gas and H.Q. hallucinates Mr. Jay forcing her to kill people and generally be a bad person. As she approaches a tied up Batman menacingly with a knife she suddenly snaps out of it and starts fighting the newest incarnation of the Joker, leading to her shattering the fear gas induced hallucination in time for the trio to pursue an injured Dr. Crane.

4. Doctor Fate Intervenes in the Name of Order: In between the dynamic duo of Green Arrow and Black Canary fighting Gorilla Grodd’s Society- comprised of Bane, Grodd, Deadshot, Catwoman, Cheetah, Poison Ivy, Captain Cold, and Scarecrow, Doctor Fate shows up to warn of an impending danger which these heroes aren’t supposed to face. If you remember correctly then after the events of the first Injustice, certain heroes such as Green Lantern and Green Arrow were killed or exiled from their specific world and now occasionally show up on this one. This impending danger is of course Brainiac, which Doctor Fate will actually later not fight against because Nobu sees Brainiac as a bringer of Order amidst the Chaos that Superman and Batman’s war has caused. Doctor Fate is ready to ferry both Black Canary and Green Arrow away which in turn naturally leads to another fight.

5. Brainiac Makes His Entrance: It shouldn’t have been long before gamers put together than Gorilla Grodd’s so-called silent partner and Brainiac were actually the same being. As the machine-driven alien ships descend over the largest cities in the world carnage ensues. Green Arrow and Black Canary are picked up by a ray of light transferring them to Brainiac’s capital ship. Oliver Queen actually even asks Brainiac if he is related to Martian Manhunter thanks to the green skin but otherwise the two heroes are rudely detained and Black Canary is nearly choked to death because they both rebel against their captor. Brainiac’s end game is obviously something along the lines of what happened to Krypton and yet many details are hazy at this point and his mere entrance alone is entirely epic and ruthless.

6. Barry Allen’s Fight Through Metropolis: After the events of the previous game Barry Allen was given something of a second chance so long as he refrained from using the Speed Force. He is forced to abandon this promise when Brainiac invades and begins destroying the denizens of Metropolis and other cities. The Flash speeds from his Arctic research station to the city and quickly defeats many of the robotic enforcers vaporizing humans right and left. Make no mistake, Brainiac and the Society planned for this and Deadshot lies in wait- coerced by a bomb inside his skull (Suicide Squad much?) and able to shoot Allen in his calf and slow the runner down. Next he must fight through a veritable gauntlet of foes- Captain Cold (angered by the death of his friends and family), Deadshot (only here by coercion), Reverse Flash (trapped her by a time paradox), and Green Lantern (because he wasn’t douchey enough the last time). It’s epic and in particular the Flash x Reverse Flash matchup has the best of dialogue and references.

7. Green Lantern Meets Atrocitus and Dex Starr: In the previous Injustice Green Lantern made the dumb decision to join Superman and became a member of Sinestro’s Yellow Lantern Corps which, long story short, is a group of bad dudes. After being exiled and imprisoned by the few remaining Lanterns in the galaxy, Green Lantern has returned and is now fighting on Batman’s side and for the correct ideals for once. Hal Jordan continuously suffers minor pauses in battle and cutscenes throughout the game and these headaches stem from Atrocitus the Red Lantern (Ragey Rage Monster!) toying with his mind and feelings. When Lantern and Aquaman are defending Atlantis from Brainiac, Atrocitus takes the time to warp in and spew rage fueled blood into Jordan’s eyes whilst trying to tempt him into taking up a Red Ring. It’s all very Lord of the Ringsy but Green Lantern resists and continues to battle his emotions (as well as Atrocitus and his feline friend).

8. Firestorm Transmutes Flames Into Kryptonite: At the facility where Superman has been held (using Lex Luthor’s brand no less), Firestorm and Blue Beetle are defedning themselves from the likes of Wonder Woman, Cyborg, Robin, and Supergirl. Of all of these people Kara Zor-El is the most manipulated and innocent, however that’s not apparently obvious to herself or to her current enemies. After recovering from the initial shock of seeing a second Kryptonian, Firestorm briefly uses his power of transmutation in order to produce green kryptonite fueled flames and keep the woman at bay. It’s downright dastardly but it’s also pretty darn awesome. Of course later the whole battling to free Superman point is kind of moot when Batman releases Clark himself seeing as he may be their only shot at facing down Brainiac successfully.

9. Wonder Woman Fights (Pretty Much) Everyone: Wonder Woman is a pretty powerful gal and this is never more apparent than when she’s forced to fight the majority of the Society and even some of her own supposed compatriots. While she and Supergirl are investigating part of Metropolis, Cheetah shows up to crash the show and shoots both of them with a massive laser. Shortly afterwards Captain Cold and Reverse Flash show up to crash Diana’s party and she has an epic moment where she reflects Cold’s ice beam and freezes the yellow speedster temporarily. After fighting Cold and Reverse Flash, she steps into what looks like fear gas and soon Superman shows up- first happy and then angry about Diana’s (actual) manipulation of his actions. In her vision she stabs the man of steel through the chest before actually fighting Jonathon Crane and likewise slicing his hand. Next up, Wonder Woman (and Super Girl) down Cheetah whom Diana says deserves to die. Cue Harley Quinn intervention and Wonder Woman stabbing her in the chest. Side Note: H.Q. has been so beat up in this entry- stabbed, heart stopped and restarted, etc. Oh, and then of course Diana and Kara fight as well.

10. Brainiac (Seemingly) Vaporizes Superman: Somewhere during their continual fight and flight throughout Metropolis, which always seems to be a focal point of utter ruination and destruction on the silver screen and in video games for Superman, the man of steel meets his maker. Or at least that’s what it looks like at the time and it’s truly gut wrenching even after all that he has done to this point, if only because Kara is so visibly shaken and everyone from Diana to Bruce Wayne isn’t sure what to make of Earth’s mightiest superhuman being ground to dust. Honestly, it’s all a little reminiscent of Darkseid using his powers to vaporize the guy. Superman has been battering the shield covering Brainiac’s ship for some time when he is hurled to the center of an already blasted crater and unceremoniously pounded by rays from the ship which leave no trace of the Kryptonian. Of course we later realize he’s probably been digitized rather than vaporized.

11. Black Adam and Aquaman Take Down Brainiac’s Shields: Injustice 2 is every bit as “go big or go home” as the previous game was and no moment more readily encapsulates this than Black Adam and Aquaman’s use of the Rock of Eternity in Kahndaq to take down Brainiac’s shields. First the duo must fight a Gorilla Grodd mind controlled Green Arrow and Black Canary as well as several other foes (Blue Beetle) prior to unlocking the mystical other dimension housed in Kahndaq that leads to Adam’s Rock of Eternity. Once inside it appears to have been a trick and they battle Grodd himself before Aquarman dispatches the gorilla permanently, ending his mind control and machinations against villains and heroes alike. Black Adam stays behind to channel the mystical energy of the Rock and sends it blasting through Aquaman’s trident and across half the planet in order to down Brainiac’s shields and allow the others a chance to confront the big bad himself.

12. Batman and Supergirl are Rescued by Superman: Upon infiltrating Brainiac’s capital ship by themselves, both Kara and Batman are trapped by the villain’s mechanical tentacles and at his mercy. When he orders his minions to kill Batman since he is only an ordinary human, Superman makes his survival and presence known and appears to narrowly prevent his former friend’s death. With the combined might of Superman and Batman they fight their way through the ship in an effort to discover where Brainiac has taken Kara and what intent he has with the rest of the world beyond mere destruction and digitization. They fight a mind controlled Swamp Thing and Firestorm, eventually realizing that they can be released when Batman uses a disruptor in close proximity to both. Doctor Fate himself shows up in order to fight on the side of Brainiac because Nobu has come to realize that Brainiac is the ultimate Order. As soon as the crew defeats him, Brainiac himself shows up and plunges a tentacle through Fate’s chest after Superman has crushed Nobu’s helm. Superman proceeds to fight Brainiac and subdue him at least for the moment, leading to Kara’s release from near vivisection.

13. Absolute Power Corrupts and Betrayal is Inevitable: In the final act itself, having subdued Brainiac for the moment the ship is falling uncontrollably and in order to save the cities and people on board Superman fuses with Brainiac’s ship and mentally steers it. After this and another fight against Brainiac, Superman and Batman return the majority of the cities not outright destroyed to their rightful places in the world. By now the majority of Earth’s heroes and villains who’ve been fighting against Brainiac show up as this is a crucial moment of decisions to be made regarding what to do with the ship and the remaining equipment and powers. Just when it seems like Superman is a decent guy again Diana of course whips him into a frenzy and all hell breaks loose. The final confrontation between Batman and Superman begins here and players are given the choice between Batman (good ending) and Superman (bad ending) before watching two versions of events unfold. I won’t ruin what comes next but allow me to say that the bad ending is one of the most chilling things I’ve seen in a superhero game.

As I’m sure I’ve by now ruined the majority of the plot of an excellent game and narrative, I hope that you heeded my warning and didn’t read through the entire thing despite wanting to come into the game relatively fresh or unknowing. If you’ve played the game yourself then I hope you’ll enjoy what I’ve talked about here and comment below. If you’ve played parts of it but not the entire story then hopefully you haven’t read through past wherever you may currently be at- I labeled things pretty specifically for that particular contingency. As always, cheers!

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Pre-Review: The Surge and Injustice 2

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I’m going to do something I’m not normally wont to do today because I’m feeling overly tired but also overly excited about sharing my experience with both The Surge and Injustice 2 with other people. I’m going to talk about some of the non-spoiler yet intriguing elements of both recently released titles with you all and give you a taste of what I’ve experienced thus far, having had the games for thirty-six hours and played each for roughly twelve. Yes, I’ve had a rough and time consuming time of it and yet somehow I’ve survived to tell the tale.

I’ll start with The Surge, which has strangely enough been one of my most anticipated titles of 2017 ever since I heard about Deck13’s newest project. I was a fan of Lords of the Fallen in all of its Dark Souls glory and although Deck13 has been around for sometime that was probably their most successful and most quality-driven title to date. I mean, if you’ve played it then you can agree Venetica hardly takes the cake so prior to The Surge there weren’t really any real contenders anyway.

The Surge is everything you’ve heard it to be including a science fiction, exo-suit wearing, machine fighting Souls-style role-playing game. It sports some truly gorgeous visuals that fit right in with the rest of the realistic visuals depicting a dystopian industrial setting in a video game in the year 2017. But where it stands heads and shoulders above the competition in the Souls-game lookalike market is the combat system which is intuitive and fresh although still bears a resemblance to Lords of the Fallen.

In fact, for Deck13’s next project they could very well do something akin to Lords of the Fallen 2 if they wished and I’m sure it would be incredibly well received and also well done now that they have two triple-A caliber titles under their belt.

The combat system is dynamic and fluid in its ability to shift focus from each individual enemy limb and even different targets on the fly. It focuses on many of the same elements that Lords of the Fallen did but it also introduces a new and already critically appreciated dismemberment system like some role-playing version of Dead Space come alive again. Not only can you strategically maim foes and slice and dice your way through their exo-suits but you can also keep choice equipment and gear that you hack off if you time your strikes right.

It’s far more than a gimmick as this is pretty much the main way to grind and progress your way through the game and also it keeps the combat perpetually entertaining as you perform finisher after finisher like nothing we’ve seen since Darksiders II. Things can get a little repetitive at times but the combat keeps the otherwise same encounters fresh and constantly interesting throughout the experience when you aren’t exploring the deadly industrial setting. In some ways The Surge’s world reminds me of a smaller version of the expansive canvas that is Nier Automata. Both certainly have a lot of the same decaying urban vibe going as well as the whole mechanized foes shindig down.

So far my biggest takeaways for The Surge are that it looks and handles smoothly and beautifully, the combat is brutal and effective and entertaining, and the sheer amount of loot and cosmetic upgrades is astonishing. If any of that sounds intriguing to you and you don’t mind a little grind as you play through what will probably be at least a 40 hour experience that is already highly replayable, then I think The Surge may be a game for you to consider.

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As much as I miss some of the cast of the original Injustice: Gods Among Us who don’t return in the sequel for reasons ranging from death (in the story mode) to irrelevance in this particular universe, the updated roster is better than ever. We may have traded Ares and additions like Lobo and Scorpion but now we have Ragey Rage Monster (Atrocitus) and Swamp Thing for example.

If you couldn’t tell, I’ve moved on from The Surge to Injustice 2 and I do hope you’ll stick around if you’re only reading this particular post for one of the two games mentioned. I’ve taken the liberty of playing through and also watching (courtesy of YouTube) every ending and cutscene in the story mode in order to be sure that I’ve missed absolutely nothing in terms of narrative prior to playing multiverse and multiplayer modes. As such, I can now officially call myself an even bigger DC nerd and Injustice fan- Injustice 2 not only builds upon the structure of the previous game but it adds in more depth than really seen outside of the Mortal Kombat series (also currently held by Ed Boon and NetherRealm).

Side note: Both Deck13 and NetherRealm Studios have some of the classiest and coolest studio logos among developers, I mean let’s just take a look here. Obviously NetherRealm wins but hey points for simplicity as well.

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“Classics never die…”

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“Alert Captain Kenway immediately!”

Returning to the matter at hand and continuing my already hazy stream of consciousness (or ramble or whatever) here… Injustice 2 does everything correctly in terms of following in the footsteps of its predecessor and it also adds carefully to the cultivated mix of gameplay and story in decisive fashion. Some of the new character models look a bit strange but that’s easily remedied by unlocking new skins and animations. The setting for each stage and the rich roster more than make up for any minuscule beef I may have over character designs such as the Joker or Superman.

Injustice 1 offered a high level of replayability and it’s easy to see that Injustice 2 also offers that in the newly minted multiverse gameplay mode as well as the variety of online offerings and challenges. The mobile app seems to even be better integrated this time around and although quality wise it is a lot lesser than its peers it is still an interesting use of a mobile app for once in gaming history aside from shameless marketing plugs and Smart Glass actions.

I won’t spill the beans on the best moments although you’re welcome to watch the nearly three hours of story cutscenes and endings. However, I will say that you should definitely play the narrative if only to serve as a good tutorial for what’s to come in other modes and an introduction to the world of Injustice if you’re unused to it. You may think you know DC characters but this is an entirely different ballgame and it’s a lot more difficult to discern friends from foes. Things are significantly less confusing concerning alternate universes this time around but that’s still a thing too.

Oh and in case you wanted to know, there are some sweet cameos and moments where characters that aren’t currently on the available roster make appearances within the story mode or otherwise are referenced. So be on the lookout for the slew of interesting DLC content to surely follow as well. And thanks you NetherRealm for making me not absolutely abhor Barry Allen anymore (as much).

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Thought Blog: Call of Duty WWII

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Sledgehammer Games has dealt in Call of Duty stock prior to the upcoming entry in the multi-entry series. They not only worked with Infinity Ward and other subservient developers on Modern Warfare 3, but they also developed the solid Advanced Warfare as their first main addition to the Call of Duty chronology. In a series that now spans at least five confirmed timelines things can sometimes seem cluttered and jumbled, mixed up here and there year to year but otherwise a veritable mess.

In a bid to discover some of the personal glory that Battlefield 1 and DICE did with their look at total warfare in an older era, Activision and Call of Duty itself are returning to the previously overdone and oversaturated WWII market in order to rekindle some of the initial magic. As a note, Call of Duty hasn’t been to the second Great War since 2008’s World at War although some elements of 2010’s Black Ops did feature segments in and around the WWII era.

Previously Treyarch and Infinity Ward were the heavy hitters in the series however as of late and at least as of the previous three titles, Sledgehammer has picked up the slack where the other titans have fallen. Infinite Warfare was interesting and a pretty comprehensive package catering to all sorts of players and yet for many it was deemed a dud and not received as well as previous titles have been. Black Ops 3 was likewise seen as a cluttered mess that couldn’t make sense of what it wanted to be despite some interesting new features and a truly crazy single player campaign featuring the usual star studded cast.

As it stands, Advanced Warfare may be the last entry to really net a lot of praise- both for Kevin Spacey in his role within the single player campaign and for it being Sledgehammer’s first solo outing and a successful one at that. Prior to 2014’s Advanced Warfare, Call of Duty Ghosts (Infinity Ward) was deemed one of the least stellar entries in the franchise and 2012’s Black Ops II was an excellent multiplayer addition with some spectacular choice-making single player elements but otherwise started the series’ shift towards science fiction and what many consider a downward trend.

Returning to WWII is a somewhat expected approach and yet it is nonetheless a bold one as well, even if only as a direct response to Battlefield 1’s WWI setting. The critic in me cringes at the terrible naming convention that deemed it necessary to call this game ‘Call of Duty: WWII’ and yet you cannot fault it for simply encapsulating what they plan to offer: the full breadth of the total war experience across the European theater. From the start they could’ve easily used this as an opportunity to somewhat reboot the series and simply called it ‘Call of Duty’ and still made the exact same game they are making despite it being in yet another timeline and yet another setting.

As overdone as the setting was for so many years in the early 2000s, I cannot help but notice how graphically impressive the game is looking already and that it already seems to have Sledgehammer’s trademark narrative focus instead of the monumental attention to every single set-piece moment that Infinity Ward likes to push. Sure it will inevitably live up to the majority of WWII cliches- the gung-ho sergeant that wants to “kill the Nazi scum,” the calm and collected leader that wants to make it through alive and without subjecting his men to the cruelest horrors of war, and the grizzled war veteran side by side with green recruits. But I think the experience itself seems already promising enough.

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Aside from the obvious focus on some of the lesser trod battles of the European theater, the single player campaign looks to focus on the moral repercussions of war as well as the visceral nature of the fighting. I’m eager to see how a return to such ‘Medal of Honor’ gameplay as requested healing in comparison to immediate super-human healing from injuries over time works as well. The game is making it clear that although this will be a similar experience to the previous ones, it is going about things in both a more traditional and entirely different way. For that reason and surely others, WWII looks like it’ll be more than just a visually updated version of events we’ve already played through.

Focusing on single-player would hardly be fair to those of us who also enjoy the other gameplay offerings of the Call of Duty saga and so it’s also praise worthy than once again Sledgehammer Games is offering both Zombies and multiplayer components. Exo-Suit Zombies was an interesting take on the classic formula in Advanced Warfare and yet something tells me once more seeing Nazi zombies will curdle our blood and elevate our pulse in the most appropriate fashion. As for the multiplayer component itself, despite offering some of the expected PvP content it also sounds like Activision is really going after DICE and some of the Battlefield cake- large objective based battles and completely unique character class ‘divisions’ for one.

I applaud Sledgehammer for going the traditional route while still managing to find ways to inject new life into both the series and subsequently the game. It’s commendable that rather than create the same overdone science fiction super trooper tale we’ve seen for the previous few incarnations, they’re opting to return to the literal roots of Call of Duty while still producing new ideas in that older setting. Of all of the developers lately, Sledgehammer seems the most likely to take risks and reap the potential rewards of those design decisions as well. Treyarch used to be the one to do that and Infinity Ward has always stuck to a pretty similar model outside of last year’s Infinite Warfare.

I personally appreciate pretty much every Call of Duty game for the experience that they offer but even I can see the franchise fatigue constantly on the border of gamers’ hazy vision and lurking, waiting for the opportune moment to pounce and render a particular series iteration irrelevant and disdained. Black Ops 3 narrowly dodged that bullet and Infinite Warfare caught the brunt of the blast of criticism despite doing so many things differently and being quite literally out of the world to the degree where people argued as to whether or not it even deserved to be tagged as a Call of Duty game. As much as people buy the games, it’s constantly astounding to see the flak each one gets for literally no reason at times- fans complain about getting the same thing over and over again yet complain when they receive something new and different as well.

I could go on and on about my thoughts with regard to the series and this upcoming release and yet I think now is as appropriate a time as any to end it as well. What are your thoughts about the upcoming game? I personally have no doubt that Sledgehammer will do their best to give the community the most authentic and quality driven experience that they can and although I foresee some criticism in regard to the setting I do think they will fare better than both Black Ops 3 and Infinite Warfare have. Thoughts, comments or concerns? Feel free to comment and give voice to them here.

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My Favorite Games: A Decade Long Retrospective Pt. 4

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It’s been a little while since the last post in my ongoing retrospective that focuses heavily on my favorite games of roughly the past decade and the previous generation up until present day. Although I’m only covering a small chunk of video gaming history, there have been plenty more excellent releases in this time besides the ones that I’m listing- ones that I’ve predominately mastered or otherwise completed and completely enjoyed. This particular post will be emphasizing the years 2011 and 2012 and as always you can feel free to comment and let me know what you think of my favorites.

2011: Dead Space 2, Killzone 3, Crysis 2, The Witcher 2, Shadows of the Damned, Bastion, Deus Ex: Human Revolution, Dead Island, Gears of War 3, Dark Souls, Batman Arkham City, Skyrim.

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The first Dead Space game was an exercise in mastering horror and all of the genre defining cliches that often accompany it. The second title was a master stroke in adding even more action to the mixture without sacrificing much in the way of tension or outright terror. Although the third game has since let many people down on the horror side of things, the first sequel showcased the ability to ratchet up the stakes as well as the action-fueled setpiece moments. It has so much going for it and added a lot of memorable content to Isaac’s terribly great story.

Killzone 3 was the final game in the series for a long time and in many ways is still the capstone to an excellent trilogy of games despite Shadow Fall also continuing the narrative even if it avoids many of the old characters’ outright appearances. It amped up the gameplay in nearly every conceivable way and looked downright gorgeous whether it be in singelplayer or competitive game modes. It was a versatile game for many reasons and just went to show that Guerrilla Games has their heads screwed on right when it comes to gameplay first.

Crysis 2 is a brilliant and beautiful game. I have been a big fan of the series and have enjoyed the fact that each game seemingly got better and improved in at least a few ways even if the second is ultimately my favorite even over the infinite customization options offered by the third. The story in Crysis 2 was interesting and fittingly tense when it had to be as well as adrenaline pumping when the action exploded for real. It was probably the most graphically impressive game of this list and for this time period and still has beautiful visuals and smooth gameplay even today. It’s just a shame not too many people hopped on board with the fantastic multiplayer elements.

The Witcher series has long shown gamers how to successfully pull off this sequel business. The Witcher 2: Assassins of Kings expanded every single element of the first game and it did so with ease and a narrative that should drag even the most reluctant fan into dark fantasy worlds and writing. Although Wild Hunt has since stunned even more players into awe inspired silence, Assassins of Kings set the tone and the pace for the bigger things that were to come and still stands out as one of the best games of all time as well as possibly the best game of 2011- especially as far as PC titles are concerned.

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To this day I’m still not entirely sure what to make of Shadows of the Damned’s darkly vibrant, gory romp of a horror adventure. And that’s entirely a good thing I think at this point. It’s deeply disturbing at times and equally interesting at other times. There are definite elements of horror and thrilling scares and grotesque creatures but within the same exhilarating experience is also crude humor and absurd encounters as well. It’s gritty when it needs to be and gutsy when it can afford to be and the amount of risk in the creative process and development just goes to show that a little thought can go a long way.

Bastion really set the tone for so many arcade games to come in terms of the independent developer scene on major consoles in the previous and current generation. Not only was it an overture for the eventual release of Transistor, but it was an intriguing and enjoyable experience in its own right- deftly melding a fantastic world and interestingly developed characters. Bastion doesn’t just share a name with one of Overwatch’s most intriguing characters, it shares the sense of quality and the intrigue and mystery of many of those characters’ backstories as well. And that’s always a compliment.

Deus Ex: Human Revolution hasn’t entirely aged well for whatever reason as far as the odd controls go, but the narrative show definitely gone on and hasn’t just continued in terms of Mankind Divided. I’m saddened to hear that Square has put the franchise on pause for the time being but it does remind me that there were greener pastures in the past as well and Human Revolution rekindled a desire I had already had for the series and its intrigue. Sure, the plot can be dense and confusing at times but you can hardly beat the set-up of a dystopian future ruled by corrupt corporations and occupied by cybernetics and titans of engineering- it’s all so Blade Runnery that I cannot help but adore it.

Dead Island is somewhat of a guilty pleasure at least compared to some of these titles but it’s no less enjoyable for that factor. There’s a paltry story at best but the gameplay is where it really shines and where the sequel could’ve had so much more promise if only it had done the right things better and paid attention to quality over quantity. The mere set-up of a quest driven zombie adventure on a massive island that has so many hidden details and secrets is enough to spark interest for most people. Couple that with some interesting enemies and a thorough weapon and dismemberment system like something out of Dead Space and you’ve got a fairly solid game.

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For the longest time it seemed like Gears 3 was it for the series and MY GOD what a fitting conclusion- like Epic’s version of Halo 3 to compare it to another potential trilogy ender. Dom, dear old Dom- RIP buddy cooperative action and memorable moments across the initial trilogy galore. If you haven’t played the Gears series you should really hop on the band wagon and buy Gears 4 so that you can get the access codes for 1-3 and Judgment- I promise you won’t be disappointed because ironically the story is oftentimes the bigger draw than the gameplay itself. Somehow Gears ended up being the most one of the more narrative focused shooters out there.

Dark Souls started the epic and terrible surge of brutally difficult games that we’ve since played- from games created by From Software to games that reek of generic Souls cloning. Without Demon’s Souls we wouldn’t have Dark Souls and without King’s Field we wouldn’t have any Souls-games, however Dark Souls marked the explosion of popularity for the series and its masochistic fans. I continue to play the first game to this day and it retains its originality and enjoyability and difficulty even now.

The Batman Arkham series is one of the best series of all time and easily the greatest superhero series outside of fighting games that feature multiple heroes across muliple stories. Although it has since has some less than stellar additions, the core trilogy of Asylum, City, and Knight are pretty spectacular (forget Origins because it was okay but bleh). Arkham City stands as the narrative highlight and offers the best quests in the series to date. Every boss encounter was original and well done. Every line of dialogue was enthusiastically delivered and believable. And boy oh boy the story was mind shattering at times.

It’s hard to believe it’s been over five years since The Elder Scrolls V hit gamers everywhere with its brilliant addition to the Tamriel universe. Skyrim is still a staple in many gaming libraries and constantly a topic of discussion as well. There has been talk of the potential for a sixth game after all, but honestly I still find myself content to traverse the realms of Skyrim over and over as Bethesda continues to tweak their MMO adaption of the series as well. I would never turn down more Elder Scrolls but I want to see the next game hit us as hard as Skyrim did.

2012: Kingdoms of Amalur: Reckoning, Mass Effect 3, Journey, Xenoblade Chronicles, Fez, Telltale’s The Walking Dead, Sniper Elite V2, Spec Ops: The Line, Darksiders II, Borderlands 2, Dishonored, Far Cry 3.

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Forgetting the fact that Amalur was essentially a one-hit wonder that subsequently bankrupted its studio despite decent sales and critical acclaim in terms of reception, it is a spectacularly underrated game as well. It has the sense of a high fantasy role-playing game and yet for every niche cliche it establishes roots in it also branches out into uncharted territory with interesting ideas that haven’t really been done since or seen before. Not only is it an enjoyable experience and competent RPG, Kingdoms of Amalur is just a genuinely good game.

It wouldn’t be fitting to not talk about the capstone to Commander Shepard’s spacefaring experiences here, ending issues or otherwise. In the wake of Mass Effect Andromeda’s release and the issues that have come with it, let us not forget the amazing trilogy Bioware gifted players around the world with and the amount of player feedback that went into the flawed masterpiece that is Mass Effect 3- both before and after its release. When a developer loves their work enough to tweak the experience after release and offer players a more thoughtful ending, that’s when you know that something special has been made (well and screwed up a bit as well).

Journey is truly a work of art and if you need to hear more arguments about the matter I invite you to happily google video games as an art form for more data and research to support that thought. As an experience it cannot be matched, not even by today’s standards or by other equally intriguing and compelling indie games. As far as the game itself goes it both looks and feels artistic and the artistic integrity of it should never be under scrutiny either. It’s like great titles such as Limbo and Little Nightmares where it’s an enjoyable game but also a thoroughly worthwhile and thought provoking experience.

Xenoblade Chronicles has had sequel content and additions made to it but nothing has quite lived up to the amazing quality and expansiveness of the first title. I was shocked when such an epic game released after virtually hearing little to nothing about it in terms of coverage here in the west. The fact that such an epic game could be made and not much have been said about it just seemed to be contradictory in so many ways and an egregious breach of gaming’s moral code in others. If you have a Wii and haven’t played the game then you’re missing out on quite possibly the best title outside of Twilight Princess.

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Don’t even get me started on Fez 2 rumors or Phil Fish’s antics, but Fez is an indie darling even in a year dominated by Journey and a two year period shared with both Journey and Bastion. It’s a callback to the old school exploration and platforming titles and truly an authentic and enjoyable one at that. Coupled with the fact that it melds new school and old school ideas, it is also thoroughly impressive that the title was all pretty much created by the talent and drive of a single Fish himself. Love the man or hate him, his art speaks for itself.

There hasn’t really been one single defining moment in the gaming community that has sprung up around Telltale’s episodic installments quite like Episode 5 of TWD Season One and Clementine’s experience with Lee culminating in her choice to put him down or let him turn into the zombies they’ve been narrowly escaping until that point. If I just ruined an entire series for you then I apologize but you’ve had five years to see what everyone was crying about for yourself. Similarly if someone ruined the Red Wedding for you then you had like a decade to see what all of your geek friends were sobbing over after reading A Storm of Swords so hey. The episodic format is a bit stale now but you can’t beat the series that made it as thrilling as it has been at times.

Sniper Elite V2 is a how a remake and reboot should be done as it is summarily a bit of both and a bit of neither. Sniper Elite was first made somewhere in the 2004-2005 period and was a competent and interesting shooter at the time. Sniper Elite V2 has since changed many aspects and turned the series into a franchise for Rebellion Games that has spawned three main series titles and a trilogy of Nazi Zombie content as well. All of which has been invigorating and interesting, but none of which would have been possible without the reception of V2 and its dynamic slow motion kill cams. It’s like a sniper’s version of Mortal Kombat and it is gory and gratifying.

Spec Ops: The Line deserves all of the talk it gets for how it handles trauma and so many other aspects not often discussed in video games, much less so in shooters. It is a brilliant game and also a thoughtful evolution of an otherwise defunct series. Honestly, as a one-off kind of experience that may never be replicated it’s an amazing experience and one that I think many different types of gamers would enjoy. If it ever does get the sequel it would most definitely deserve then I can only hope it lives up to the legacy and the shock value established in this particular title. Maybe a jungle adventure like something out of Heart of Darkness and Apocalypse Now…

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Just like the forces of evil could not fully contain either War or Death, the release of Darksiders III cannot be contained or prevented by the death of a publisher or subsequent acquisition of developers. As thrilled as I am for another installation of the series (so much so that I blogged about it prior to any news of a new release) I also constantly revel in my enjoyment of the previous iteration of the series that leapt from the linear path of the first to the open world and embellished lore of the second. For all that I adored in the first game (a lot of things actually) I came to love and appreciate fully in the second- with its Diablo meets God of War meets Zelda structure.

You already know how big a fan I, like many people, am of Borderlands and the second game in the series by this point. Not only have I established my own series of blogs in regard to the replay of the second title but I’ve also delivered many comments and bits of discussion on the lore as well. Borderlands 2 is something that you don’t always see with a gaming generation- it is an icon and a high water mark of excellence that can’t often be replicated, whether within the same series or even within a genre. And yet I still have high hopes that Gearbox can strike gold yet again with their highly anticipated third main installment and make me feel the same way the blood and guts and loot filled adventure has in the past.

Dishonored 2 is every bit as original and as stellar a the first game but for whatever reason the game’s sales have not been reflective of that and it hurts my heart to say so. The first game is fittingly a fresh adventure into something that Bethsoft has some experience in personally but has otherwise left largely to games like Thief and Assassin’s Creed before. Dishonored features dynamic choices that actually matter and colorful characters within a colorful world that you can both interact with and affect in numerous ways. Although the sequel has expanded upon much, the lore and sheer ability to do virtually anything imaginable in the first game are what make it one of the most intriguing experiences of all time.

Far Cry 3 is an island in the series and probably because it offered the freshest start as well as the most original and unique gameplay elements in a series that was otherwise headed downhill after the flawed African safari of Far Cry 2. Although I enjoy the series as a whole and can recognize the great elements each iteration has implemented, FC3 is easily the most quality driven experience and outside of the unique setting for Primal it is the best and brightest excursion to date as well. Far Cry 4 piggybacks too much of the gameplay elements and sheer shock value in terms of colorful characters to get much love from me despite that experience still being a grand one.

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Wildlife Reserves and Hyperion Hijinks

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Well, it’s been a little while since my previous Borderlands 2 romp and subsequent blog- Face Pizza and Flaming Midgets, but I’m here to tell you that drought ends today. I am still painstakingly making my way through Borderlands 2 and will also be replaying Mass Effect 2 more in-depth once I’ve devoted enough time and attention to Gearbox’s epic masterpiece. As usual if you’re walking into this blog series blind it’s gonna cost you probably vision or hearing or something equally painful between my mindless reference making and spoilerific attitude. So really, you’re bringing this upon yourself at this point because you’ve been forewarned twice now.

Like I’ve mentioned previously for those of you who remembered to read the first blog post, while I’m predominately playing through Borderlands 2 to completion, this particular series will actually be focusing on my musings about the series as a whole. So don’t expect a necessary play by play of the game as opposed to some lighthearted commentary on the franchise itself.

It’s intriguing to me to note that the main antagonists of the series have always largely been parts of or heads of corporations. This seems to be one of the most realistic narrative elements of the series just due in part to the fact that a lot of times corporations really are the bad guy after all. I mean, first we have the Atlas corporation in Borderlands and just the overall attitude that these corporations have such a huge stake in the world of Borderlands even if they are sometimes a joke (see Dahl). Of course by the time Tales from the Borderlands and Borderlands 2 has rolled around there’s Hyperion to deal with in all their Handsome Jack glory.

We’ve seen everything from a zombie outbreak on a distant island to the pretty much nuking of the moon Elpis thanks to various corporate bad guys in our time and it really says something ironic about both companies and sometimes environmental regulations. I know, who would’ve guessed there’s anything remotely realistic to be found in the Borderlands series right? I mean, I’d imagine the desolation of the vast majority of Pandora’s already desolate landscape and the forced terraforming and destruction of an entire moon’s surface don’t really do much for company morale or support after all. To be fair, space pirates are more at fault than Hyperion for once in the instance of the latter but I digress.

Categorically, each game has had its fair share of big bads and yet there’s always been a company or band of mercenaries involved somewhere across the narrative in a substantial way and that’s pretty telling of what Borderlands 3 or Tales 2 may have to offer as well. Although I’ve envisioned Borderlands going beyond a mere trilogy I could just as easily see Borderlands 3 as a finale to the saga put in place by both Borderlands and Borderlands 2, as well as even including the decisions made within the confines of The Pre-Sequel and Tales from the Borderlands. So far the narrative fits together perfectly albeit in a sometimes confusing way. So why should we make any drastic changes to a narrative formula that works already and not have another big bad stir due to the actions of one company or another?

Vault hunters and vault hunting always have and always will play some part in the narrative, even if it’s a doozy and red herring the size of a gigantic tentacle monster- seriously, that’s already been done. Things won’t and don’t always work out quite how you expect and yet for all of that there’s a big bad corporation as the front man and then of course the popular shadow bad guy a la any Final Fantasy game right behind them pulling the strings or itching to show up in your penultimate encounter. I’m not here to say we should be sticking it to the man or that all corporations are evil and worth disbanding (unless you live on Pandora that is), but it’s definitely interesting to look at how even such an absurd adventure as Borderlands can sometimes find ironic details in the real world as well.

Mainly I’m just entertained by the prospect that this evolving and living, breathing world has so much more to offer as we’ve been shown time and time again. I’m also intrigued by the fact that we are still discovering secrets within it and that the art style alone has guaranteed that it never grows old or wretched in any way. I can still go back and play the first Borderlands game and in fact I often do. You can see graphical improvements even in this cel shaded art style and yet it’s still easy to pick up and enjoy regardless of that simple fact. Much like a corporation constantly improves its business model and sales (in theory), Borderlands as a series and franchise can and will continue to evolve in every way and that’s a truly beautiful thing to ponder in between braining psychos with Krieg’s buzz-saw axe.

As always, feel free to send your comments and concerns my way in equal numbers as I will always read and reply to worthy comments and questions.

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I May be Excited…

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May 2017 is a very unique and interesting time for most of us. Those attending universities are inevitably drawing nearer to the close of the academic year whilst the rest of us prepare for the hottest summer releases to eventually hit the market. Regardless of your preferences- be it literature, films, or games, there’s undeniably something here for all of us. In this particular blog I’ll just cover some of the films and games which have either piqued my interest already this month or remain to be judged as such when they release later on.

May 5th

This turned out to be quite an action-packed day on the film and gaming front and that comes in the form of Guardians of the Galaxy 2 and Prey. I’m sure the majority of you know by now that both have largely lived up to their hype despite some discussion that GotG 2 doesn’t surpass its predecessor and that Arkane’s version of Prey is good but not quite great. Regardless of your thoughts on the matter, these two are definitely one of the high points of the month thus far and probably will still be up there come the end of May and beginning of June.

May 9th

On May 9th a relatively little-known game known as Strafe is set to be released and it’s been one of my anticipated titles for quite some time now. It’s essentially a retro-shooter set to the tune of old golden age titles such as Doom, with the exception that besides graphics it actually includes a lot of relatively new concepts as well. If you’re into that sort of thing and have a computer capable of running software that looks like it’s from the nineties, then hop on the bandwagon!

May 16th

Both Injustice 2 and The Surge release on this particular day and both titles are looking increasingly interesting for completely different reasons. The first Injustice was an excellent game and I cannot wait to see how the sequel compares. Respectively, Lords of the Fallen was a pretty good game and I cannot wait to see what Deck 13 does with the same essential Souls-like gameplay set to a futuristic robocalpyse tune. Honestly, I’m sure both will be at least pretty decent games and I cannot wait to see how it all works out in both cases.

May 19th

If it weren’t for the release of the highly anticipated and already pretty well-reviewed Alien: Covenant, I’d almost be tempted to insert the next edition of Fire Emblem in this slot as well. As is, Alien: Covenant looks to be quite a doozy and honestly it may be one of my most highly anticipated movies of the year, not just the month itself.

May 26th

I’m not quite sure what to make of this particular day because three completely different things are releasing and I’m not quite sure if any of them will live up to the hype, although I am positive that one of them will make a lot more money than it deserves to at this rate. Rime has been in development forever it seems like, so I’m really just excited to see it potentially coming out for once. Baywatch is an intriguing concept since it’s a remake with a fairly talented and unique cast (ft. The Rock everybody). And Pirates 5 will gross a ton of money despite really not adding much to a series that has only gone downhill since its third (well, first really) entry.

There are of course plenty of other goings on going on within the confines of the month of May, however these are some that personally seem to be most prominent on my radar in terms of films and gaming. If you’ve got anything else you’re looking forward to- that newest book in a beloved series or a long awaited album for example, then feel free to comment on what I’ve missed here.

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The Greatest (Un?)Intentional References in The Witcher 3

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The Witcher 3 is still one of the greatest games of this generation and perhaps once you really get into it one of the greatest and most ambitious projects of all-time as well. As with any expansive quest to combat evil and save loved ones, there are plenty of popular references along the way- harking both to previous adventures of Geralt’s as well as to things that exist in other worlds entirely. I will only be discussing two of these references today- one of which I’ve talked about at some length previously either in comments or my other Witcher 3 discussion blog which can be found here.

The first reference is perhaps the deepest and potentially even completely or mostly unintentional in its origin and yet still altogether interesting whatever the case may be- me reading too much into it and nerding out or otherwise. I must warn you first and foremost, if you’re reading this post then know that I will be shamelessly discussing things of the spoilery nature that pertain not only to The Witcher series (although are predominately limited to Wild Hunt), but also to popular fiction and other mediums. The first reference I have comes in two very simple words and is in fact related to the name of one Gaunter O’Dimm- a non-playable character whom Geralt first meets in White Orchard at the onset of the game but becomes shall we say more important in the Heart of Stones expansion.

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Yes, that’s the guy right there. Now, you may be wondering how it is that a simple thing such as a name can in any way, shape, or form be a huge pop culture reference. Well, this one goes pretty deep so just bear with me as we descend into a rabbit hole of sorts and I try to make sense of the startling revelations I’ve been having lately. Gaunter O’Dimm seems to be a little bit off but it’s not until you really get to know him that you begin to realize that being off is just the tip of the iceberg- he’s obviously some sort of djinn or conjurer or demon as Geralt himself deduces.

Now here’s where I do a bit of conjuring of my own and send your brain into oblivion with my next few words: Gaunter O’Dimm can be related in more than one way as a reference to Stephen King’s The Dark Tower series. BAM. Didn’t see that one coming now did you? Oh yes- I assure you there is at least marginal ground for this presumed assumption whether intentional or not. You see, In the fifth book of the main novel series (Wolves of the Calla) there is a character referred to as Walter O’Dim- or Randall Flagg for those of you into Stephen King who recognize the demonic presence in both The Dark Tower series and The Stand.

So in essence this is pretty much a reference within a reference within a ton of references- confounding, I know.

The reason I say there is very definitely at least some sort of relation here is mainly because of some of the elements that make up Flagg/O’Dim’s character and contribution to the story overall. In many ways the devious and devilish acts that O’Dim and O’Dimm try to pull off are vaguely similar in scope and design. Plus they have semi-similar existences and inevitably come to about the same conclusion in terms of character arcs as well. Just as Walter O’Dim toys constantly with King’s Gunslinger in the series, Gaunter O’Dimm toys constantly with Geralt of Rivia in Wild Hunt- often working with him as much as against him behind the scenes as well as completely out of the shadows.

It’s an interesting relationship that both sets of characters have and one that dynamically affects their respective stories as well. Another interesting note is that whereas King’s O’Dim is an evil wizard who also maniacally permeates the very fabric of fourth wall breaking time and appears time and time again throughout King’s works as a minor yet outwardly evil presence, O’Dimm is as far as anyone knows “evil incarnate” and can manipulate both time and souls on a whim. Needless to say both are incredibly terrifying and powerful forces of nature and not to be trifled with.

Although their relationship as far as references go mostly stems from very similar names and highly suspect powers and intentions, it’s interesting to see that two well-known and well-respected worlds of fiction should share such amazing entities that are startlingly similar after all.

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I’ll leave you clinging to your seats with a little glimpse at at least one incarnation of the infamous Walter O’Dim of King’s legendary series…

But now we must really be moving onto our second and most interesting in-house reference, at least as far as CD Projekt Red productions and games go. It is not secret that the talented minds behind The Witcher series have been putting their respective time and effort towards a new, much more modern (but no less dark and gritty) world. Cyberpunk 2077 understandably strikes a lot of Blade Runner-esque chords and looks entirely too promising not to be an interesting next project for the team.

Although there have been recent stories in regards to the nature of the proposed trademark and how it might affect others attempting to create games in the cyberpunk genre, which has been around long before CDP deigned to craft their role-playing adventure, I believe we are in much better hands than the whole Scrolls debacle between Mojang and Bethesda seemed to be industry-wise. Potential scandal and news tidbits aside, there is an interesting relationship between both Wild Hunt and Cyberpunk 2077 and it stems from a direct and quotable source within the confines of Ciri and Geralt’s adventure. Literally- there’s dialogue support of such a reference and even lore to back things up.

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Later in the story- actually, shortly after you rescue some dwarves (or leave them to die, your choice really) from a misty island filled with plenty of nightmare-inducing creatures, Ciri will be reunited with Geralt and there will be plenty of ensuing dialogue. At one point, Ciri will mention offhandedly that she traveled to other worlds (as is well within her power) with Avallac’h and one of these worlds boasted flying carriages and people with metallic heads and something of the general futuristic-y kind of noire vibe essentially.

Well, if that obvious and blatant references doesn’t just light the signal fire for Cyberpunk 2077 then I don’t really know what will. As The Witcher 3 is probably Geralt’s last huzzah at least for the foreseeable future and a completely appropriate end to an amazing generational character arc, the next project predominately on CDP’s plate is of course none other than 2077. As such, it would only make sense that they include some kind of passing of the baton and what better way to do it than to actually confirm that both The Witcher and Cyberpunk actually exist in the same universe/multiverse? Actually, it’s quite brilliant from a developer perspective and even gave them an excuse to build in other worlds (showcasing their design abilities and unique ideas) as well as time bending mechanics into Wild Hunt as well. Really, well done CD Projekt.

Although the first of these two references is of course a lot grander and perhaps more farfetched than this second quite brief one- both are thoroughly interesting to ponder and the mere thought of Geralt and cyborg ninjas (or whatever) existing in the same dimension is mind blowing to be honest.

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I don’t know about you, but I’m sure Geralt has always wanted to travel between worlds and get attacked by what Stephen King would eagerly refer to as massive “lobstrosities” as well. Well, you’ll have more than one opportunity to travel to other realms and not all are as sunny and forgiving as this ruined desert world that echoes of human vanity and global warming and other issues prevalent in our culture today. For example, you may find yourself in a future where the Wild Hunt has decimated Gearalt’s world with the White Frost and the mere touch of snow chills you literally to death.

Or in another instance if you descend from suitably safe platforms and into the fern forest below then you suffocate and die thanks to toxic fumes. Really, Avallac’h and Ciri were lucky to wind up in a dystopian future rather than the places that Geralt was spun all around creation and quite literally through time and space for. The man just attracts bad luck and worse monsters like no other, it’s true.

Anyway, it’s been a long haul and I’m sure some of you have thoroughly fired your brains by now with at least one of these supposed references- real or otherwise theorized. I do hope you’ll share your comments and questions or even discuss some of the other spoilery intricacies of The Witcher 3 with me either now or in the future. If you cannot tell, sometimes I’ve just got to nerd out. Cheers.

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