By now I have no doubt that many of my closest friends and companions know I am a huge fan of British television shows and all things of similar status. That’s not to say I don’t enjoy television shows from every nook and cranny, just that I happen to have acquired a particular fondness for many of the recurring actors between BBC network dramas and typical British soaps. The subject of course of this particular blog post is none other than the first of the would-be and will-be trilogy, Broadchurch. It is not in fact about either a big church or even a church at all, but rather the name of a quaint Wessex town where devious cases are brought to life.
If you’ve seen or know anything about Doctor Who then no doubt you’ll see several familiar faces in both the Tenth Doctor and Rory Pond (I jest of course, it’s Williams), or rather David Tennant and Arthur Darvill. This is no Hamlet and certainly no Legends of Tomorrow, and yet both of these high caliber actors find themselves similarly in specific and terrific roles alongside many other talent castmates- look no further than Olivia Colman. You may be wondering why it is I am just now bringing up the series, and it’s actually quite timely I’ll have you know. The third series of Broadchurch started a little bit shy of a month ago and I’ve been rewatching the first two as both preparation and penance for when the third is finally available to me.
First things first, allow me to tell you several of my favorite items and themes from the show- they’re probably not quite what you would expect. The first series has some amazingly emotional and believable moments and none have been hammered home more vividly than anytime the scene just sort of pans out and allows the sweeping musical score to roll in. It is in these moments that silent revelations take place, new clues develop, and all sorts of emotional deliveries are given without a single word having to be spoken. In essence, it’s genius. Musical scores have always been and will always continue to be some of the best ways to convey ironically silent messages through sights and sounds.
My second point of interest is the scenery and vivid imagery presented throughout the series- it honestly helps sell the story and plot lines more than even the best deliveries on the part of Tennant or Colman. You cannot develop a good story or film or television piece without apt usage of scenery in conjunction with metaphor and imagery. Many things are as unspoken as with musical scores and evidently people do like to see aesthetically enthralling or pleasurable images as well- who would’ve thunk it. There are countless moments- some of which take place in conjunction with sweeping musical melodies or melancholy camera panning, where the show just pans to something that offers the viewer their own off-screen revelations or makes something equally exciting known. Those are the moments we live for.
The third and perhaps most obvious and equally important aspect of the show is that the acting is phenomenally handled and sold whether it be simple investigative scenes or brilliantly heartbreaking revelations regarding murder. The first and even second series follow along the same familiar narrative lines, and yet there is still so much room for the injection of ample amounts of backstory and tragic character development outside of those two well-tread case lines. I never got tired of progressing the plot of the first series particularly, nor did the slight deviations into side characters or the main scenes steal any of the drama or tension away from the murder investigation processes themselves. Truly, I echo many viewers’ and critics’ sentiment that this could be many of the involved actors’ finest work to date.
I’ve been meaning to write on a more regular basis, and in some ways I’ve met that goal while in others I’ve noticeably lacked and lagged behind. Hopefully these tidbits here and there are enough to keep what fans I have satiated and my varying topics prove to be both engaging and interesting enough as well. I’ll do my best to be back when I can with more content in the future, and of course to write my own vivid opinions about things that crop up over time- as is all one can hope to do as a writer, pleasing both their own frantic heart and the minds of the reader. Cheers, all.